A tiny victory. Copyright should not be more than a decade. This intellectual property system is one of the worst things to happen in modern society is what I would have said a few years ago, now I got bigger problems but I'm still mad.
I agree with you that 10 years is more than enough time for corporations to turn a healthy profit on something (not that they can't continue to make money off of a work after it has entered the public domain), but this wasn't a small victory.
If every ISP were at risk of being on the hook for endless billions in damages because of what their users did it would mean that ISPs would be forced to give in to the RIAA/MPAs demands to permanently terminate the accounts of internet users over completely unproven (and often inaccurate) accusations of piracy. It's worth noting that cox was actually already doing this in a limited number of circumstances, and the media industry still wasn't satisfied.
The media industry insisted that they needed the power to get people's accounts terminated even though it would have left many people, including fully innocent ones, cut off from the internet entirely. This was a big deal, and I'm honestly surprised to see this supreme court do the right thing.
I'm not sure I agree that any single fixed term makes sense. Rather, I think it'd be better if the exponential cost to society (in terms of works that don't happen, and works that don't happen based on those works that didn't happen and so on compounding) was just part of the yearly renewal price. Do maybe everyone gets 7 years flat to start with, then it costs $100*1.3^(year). So after another 25 years it'd be around $70.5k renewal. At 50 years it'd be $50 million. At 75 years it'd be $35 billion. Fixed amount and exponential can of course be shifted around here but the idea would be to encourage creators to use works hard and if they couldn't make it work not sit on them but release them. Once in awhile something would be such a big hit it'd be worth keeping a long time, and that's ok, but society gets its due too. And most works would be allowed to lapse as they stopped being worth it.
Another alternative/additional approach would be to split up the nature of copyright, vs an all or nothing total monopoly. Let there be 7-10 years of total copyright, then another 7-14 years where no exclusivity of where it's sold or DRM is allowed, then 7/14/21 years where royalties can still be had but licensing is mandatory at FRAND rates, then finally some period of "creditright" where the creator has no control or licensing, but if they wish can still require any derivative works to give them a spot in the credits.
I think there is a lot of unexplored territory for IP, and wish the conversations were less binary.
I think that's a horrible idea. There's zero benefit to society in letting corporations like Disney that can afford to pay keep works out of the public domain longer than others.
> Disney are able to pay that amount because their IP is still generating massive income.
That's entirely irrelevant though. The point of copyright isn't to protect income. The point is to encourage the creation of new works. Disney doesn't need 100+ years of exclusive profits on something to encourage them to create new works. Nobody does.
I'd even argue that the more popular a work is the more important it is that it enter the public domain sooner rather than later. The less cultural relevancy something has when it enters the public domain the less likely it will inspire new works to be created.
Another thing that doesn't get brought up enough: Copyright is not really needed to encourage creation.
Suppose Copyright as a concept was overturned and no longer existed. Would Disney just say "Well, it was a great run, but we're going to close up shop and no longer create works." Would an independent artist who needs to paint something decide not to just because it couldn't be copyright?
"The creation of new works" doesn't need to be encouraged. It's the default. Cavemen still carved on cave walls without copyright.
You're absolutely right that artists can't stop themselves from creating, but I think that a reasonable amount of protection still does encourage more works.
Many works require a good deal of investment and time and if people had little to no chance of making money or breaking even on that investment a lot of works wouldn't get made.
Another nice aspect of copyright law is that it establishes where a work originated. Authorship gets lost in a lot of the things we treat as if they don't have copyrights. For example memes, or the way every MP3 of a parody song on P2P platforms ended up listing Weird Al as the artist regardless of his involvement. It also happens in cases where copyright really doesn't exist like with recipes and as a result we don't really know who first came up with many of the foods we love. A very limited copyright term would more firmly establish who we should thank for the things we enjoy.
If Disney had to pay the federal government a few billion each to keep absolute control over their oldest works, every year, no tax games, that would be pretty great for society. But it's also probably true that the tax games would indeed ensue. Something something low trust, we can't have nice things.
How about something like IP as a tax? IE: if you make profit off of it, then it cranks up. There's plenty of music artists who's song blow up a decade or more later.
I want to be super clear that I'm not proposing some finalized plan or numbers here, it'd need some real work spent hashing it all out. Mainly though I hope people will consider more the huge space of untapped approaches to balancing various benefits and costs towards a better societal outcome. And that maybe that helps a little in getting us out of some of the present seemingly intractable boxes we so often seem stuck in?
Your tax idea could certainly be another useful tool. My main immediate thought/caution would be:
>IE: if you make profit off of it, then it cranks up. There's plenty of music artists who's song blow up a decade or more later.
As we have endless examples of, "profit" and even "revenue" can be subject to a lot of manipulation/fudging given the right incentives. I also think that part of the cost I describe is objective: whether it takes off right away or takes off after a decade, as long as it's under full copyright it's imposing a cost on society the whole time. Also other stuff like risk of it getting lost/destroyed. So I do think there needs to be some counter to that in the system, sitting on something, even if it makes no money, shouldn't be free.
But the graduated approach might help with this too, and again they could be mixed and matched. It could be 1001.3^n to keep full copyright, but only 501.2^n to maintain "licenseright", 25*1.15^n for "FRANDright", and free for the remaining period of "creditright". Or whatever, play around with numbers and consider different outcomes. But feels like there's room for improvement over the present state of affairs.
When old art gets a revival like that it's usually because the work is being reused (e.g. song used in an ad, Tv show, movie), something that costs time and money to license when done legally. How many artists lost their chances because navigating copyright is tedious and expensive?
That's how you end up with "Hollywood accounting" where movies that gross over 100M dollars still show as a "loss" for tax purposes via creative accounting methods.
At this stage I just want a coherent system. There is no way "individuals can have their accounts terminated for one song" and "AI companies can download a complete copy of everything, including pirated works, and roll it into models which can reproduce it exactly and sell it back to you" should be able to co-exist.
I'm not sure that's the correct approach. Why do you want to have free access to other people's books, movies, and songs in the first place? I have the feeling that's not the case, but what is it then?
In a world where copyright only lasts 10 years, what happens to the musician whose song from 20 years ago is used in a movie and becomes super popular? Do they get royalties or are there no royalties involved?
I want a system that doesn't syphon money to the corporations over the individual creator and the corporations can't tell me I can't use the song.
The reason copyright doesn't get fixed or removed is largely because the general public is worried more about other things and the big rightsholders continue their monthly payments—err, lobbying.
Though AI might change that. In the end, large corporations get what they want.
The general public also get sold on the rosy idea that copyright (and patents to a certain extent), protect the little guy, that thanks to this mechanism their work will not be stolen by opportunistic freeloaders. It also resonates with the "one day I will strike rich" mentality.
What they usually "forget" to tell you is that your IP is absolutely worthless if you don't have the resources to defend it in court, which in turns actually advantages freeloaders who either have relatively low costs to sue (patent trolls are basically an example of this) or enough money that they don't feel the pain if they lose.
The current system basically incentivizes suing over IP NOT creating it.
Disagree on the decade. There are plenty of examples of great movies or other works that took longer than a decade to bring to the public. Those projects would have been completely non-viable if their content could have been stolen after creators put a decade into their development.
I think 25 or even 50 years is more defensible. But 100? Nah.
But the crushing problem today for many of us here is SOFTWARE PATENTS. These should never have been allowed in the first place; and until their scourge is abolished, everyone is at risk for having his work stolen with one.
I think it should be for a lifetime of the original author and non-transferable. The system is already rigged very much against artists, it's amazing how many people still contribute to culture under the given conditions. I don't see any reason why someone who writes a Christmas song or a novel shouldn't have a possibility to get payments for their works until they die, for example. However, I have a lot of problems with the bizarre extensions that companies and heirs have gotten for work they haven't created on their own.
What is "financially viable"? Just hoarding copyrighted materials and not distributing them in order to create artificial scarcity could meet that criteria.
It was originally 14 years back in 1790 when publishing anything was expensive, distribution was difficult, and worldwide distribution was nearly impossible. Today you can publish works across the globe at close to the speed of light and at very little cost. 10 years seems pretty damn reasonable.
The purpose of copyright is to encourage the creation of new works and allowing people creative access to their own culture accomplishes that goal a whole lot better than protecting the profits of corporations for ~100 years.
Copyright is an artificial monopoly set in place to guarantee that artists get a piece of the cake from distributors. The duration of this monopoly is completely arbitrary, and ideally it should be "long enough to make art creation a viable trade".
ideally it should be "long enough to make art creation a viable trade"
And, IMO, 10 years is in the ballpark for that to be true. That's ~5 major pieces of art as a minimum for a popular artist to have a career (assuming their 20s through 60s) [assuming each protected piece can sustain them for a decade].
I'd expect most people in this forum have made something "worth protecting" or even make a living doing so. Certainly it's been my career. I still think we should drastically shorten copyrights and expect more to grant it. e.g. for software, require source escrow to the copyright office and probably require source availability to purchasers, and ban things like hardware that only runs signed software. Basically the law should be GPL without redistribution, but where you could hire a programmer to fix things for you and maybe share your diff. Or just straight GPL (i.e. software should not be eligible for copyright as it's a functional thing, not a creative thing, and consumer protection law should make it mandatory to provide source and a way to load your own version for any device that has it). For other works, registration fees should cover storage of a master copy until expiration + N years so it can be released to the public. Maybe "source material" there as well wherever it makes sense. I understand that might make my career less lucrative. That's fine.
Whoever drafts the law has to arbitrarily choose a number, or there will be no end of litigation to settle it, and a judge will arbitrarily choose a number. OP's opinion is "not more than 10" so 9, 8 and 1 would all be fine with them, while 11 would be too long. Source: reading. Meanwhile you haven't even made clear where you stand on the issue or what point you're making or in what way "differently" OP is supposed to feel.
I think I've made plenty and I don't feel differently.
You could ask the same questions about the actual duration of copyrights as they are today. You present those rhetorical questions as if they were some argument against this proposal, but they're just things you need to think about regardless of what scheme you come up with: why this, and why not something else? It's not like "life of the author plus 70 years, or 95 years from first publication, or 120 years from creation" is any less arbitrary.
We should remember that the purpose of intellectual property laws in the US is explicitly, per the US Constitution, "To promote the Progress of Science and useful Arts...." The purpose is not to ensure that creators can keep collecting money decades after they created their works. It may be useful to ensure that as a way to promote progress, but it's just a tool, not the goal. If progress is better promoted with a 10-minute copyright term then we should do that instead.
The bondage of intellectual property forces very particular branches of human development to the exclusion of others. It's no surprise that restriction of thought and creativity - and most of all, music - is to be found alongside war and predation and uninspired leadership.
IANAL but it seems to have major implications beyond music piracy, like into the realm of ISPs and free speech in general, it seems the court (rightly) sees ISPs as a common carrier (like water pipes) and we may see more opinions of the kind that reach into the space of monopolies or duopolies in social media next.
Big tech should loose its safe harbor protection. It’s both an aggregator AND a curator. The algorithms showing you what to see is no different than a newspaper editor. Just like newspapers big tech should be liable for their “feeds” showing harmful and defamatory information
I don’t see how it would ever make sense to hold social media liable for user posted defamation.
Look at the recent Afroman defamation lawsuit and consider how YouTube is supposed to know whether that music video was defamatory or not. It took a court 3 years to reach a conclusion but you want YouTube to make that same call instantly, on millions of posts a day. What you’d get is a world where Afroman’s (non defamatory) speech basically cannot be shared on social media at all.
I think the difference should be whether they are a dumb pipe, or whether they exercise editorial control and/or promote some content over others.
If you are truly a dumb pipe, that just transmits whatever the users post, then you shouldn't be liable for what goes over your wires. Like the phone company.
As soon as you start acting as an editor: amplifying some content and downplaying (or removing) other content, re-ordering it, ranking it, and so on, then you are placing your name on the content and in a sense should share liability around it.
Companies should have to deliberately decide who they are going to be: are they just wires like the phone company, or are they a newspaper's letters-to-the-editor department? They shouldn't be able to act like one, but have the liability of the other.
I would be happy if congress passed a law saying a social media has no liability for anything their users post as long as the algorithm is completely open source. If we had social media like that, they'd even have APIs that let users design their own algorithm and we'd see a golden age of social media emerge from it. Twitter seems to moving in this direction but they enjoy no legal protections from being open at the moment. Blusky is already this way I believe, but without a neutral and trusted centralized control it's a bit different of an animal.
> Holding Cox liable merely for failing to terminate Internet service to infringing accounts
Imagine giving the power to rightsholders to terminate anyone's internet service with e.g, a DMCA takedown. I'm sure that won't be abused at all, and is a very necessary step to protecting "artists"
9-0 rulings happen all the time. I couldn't find an easy to consume list so I asked AI to provide the percentage and it said 65–75% of rulings in a term are 9-0.
I believe it's the second half of parent's comment that is doing the heavy lifting.
A 9-0 ruling written by Clarence Thomas which puts basic human rights (internet access) above civil liability - try asking a chatbot to find many of those.
Funnily enough the only time I ever got in trouble for torrenting anything was when Cox was my ISP circa 2009. I'd been torrenting some PSP game and my connection went down. When I called the helpline they explained what happened and said they'd restore access once I confirmed I'd deleted the downloaded file.
It’s interesting to see how as soon as intellectual property theft starts to be critical for powerful interests the legal system magically gets more lenient about copyright enforcement.
The balance between public good and protecting IP ownership of the creatives (which is, paradoxically, also part of the public good) has to be struck and enforced consistently.
They all seem to be using pirated books. Probably slightly better than just web stuff as it is presumably edited.
The authors case was thrown out on narrow reasoning. But companies now live by different rules so I suspect they won’t be held to account. Even Disney/nintendo are unlikely to stop this…
Anthropic ($1.5B+ Settlement): In September 2025, Anthropic agreed to pay at least $1.5 billion to settle a class-action lawsuit over using roughly 500,000 copyrighted books from "shadow libraries" to train their Claude LLMs.
9-0 against the record labels. This effectively ends a long running strategy of trying to milk ISPs for people torrenting without a VPN. At the same time it likely puts things like the *Arr stack at more risk given their more tailored nature.
Ironically Sony wanted those artists online for streaming, and in those days the only way labels had to transport the music to distribution services was sending the CDs. So the CDs landed on my desk because they'd been rejected by the data ingestion teams. I had some more[0] stern words with a very apologetic man from Sony that day.
[0] they were constantly sending CDs that were fucked-up in totally new ways every time
I still haven't bought a Sony labelled product since... though I may or may not have consumed Sony content. They've definitely lost more than they gained.
That's a pretty good sized ego you got yourself there. The number of people that cared about the rootkit in the general populace was insignificant to Sony. Only tech nerds like us even knew about the rootkit or how insane it was to use. Unless you were a huge flagship purchaser of Sony's latest/greatest each year, they don't even notice you when you buy a TV or any other item.
People barely remember the studio getting hacked and releasing a film
The media industry has already decided that it should be allowed to turn copyright enforcement into a revenue stream and I doubt they're going to stop their extortion racket now.
This ruling could mean that they'll increase their efforts targeting individuals with threatening letters demanding that they admit wrongdoing and settle for a few hundred to a couple thousand dollars at a time or else get sued in court and be forced to pay a lawyer tens of thousands to defend their innocence. It could mean they actually take more individuals to court instead of dropping the case every time they threaten somebody with enough money to hire a lawyer to defend them at trial.
The media industry is also pushing for more control in other ways as well like blank media style taxes which would let them rake in a steady stream of cash without needing to make make specific accusations. They also still want to be able to force ISPs to instantly blacklist any IPs they accuse of streaming copyrighted content. They've got this power in many countries already and innocent users have already been screwed over by it. They may decide to focus their efforts on getting this pushed through in the US now.
I doubt this ruling will lead to the kinds of broad copyright reforms we need, but it's long past time the courts started pushing back on the insane power grabs of the RIAA/MPA. No other industry could get away with demanding what they have.
I had several roommates, and we each were responsible for a utility. I was responsible for internet, and Cox was our provider.
I received multiple e-mails from Cox about copyright infringement. I can't recall them, but I remember it being serious enough for me to tell people to stop.
Thinking back, I feel like Cox's position is right and fair; let users know they're being observed by copyright holders, and inform the user that they could be compelled to provide their identity to complainants.
But ultimately, the responsibility to "stop" the supposed infringement is on the holder, not Cox.
In terms of legality Megaupload messed up by directly participating in copyright infringement. They paid people to upload copyrighted movies. Cox doesn't reward people for copyright infringement. The lawsuit against them argued they failed to take enough precautions (for example cutting off subscribers upon receiving an accusation from a third party) and that should make them liable.
In practice Megaupload is not an established company. Other consumer file storage services such as Dropbox, Google Drive, Microsoft OneDrive, Apple iCloud are trillion dollar companies with deep legal benches and lobbying muscle. YouTube seeded the service with pirated content and Google helped fight off a copyright lawsuit by finding evidence that one rights holder uploaded their own video and then claimed infringement.
I have to pay property tax forever for a house I supposedly own. If I dont pay that, the government sues and takes my house. Basically I never actually own my house.
(Of course, we have "Evil Communist China" where there is no property tax, and people own their homes and can live there. Id argue they're more free than we are.)
But copyrights and patents and trademarks? There's no tax on those "properties". And gee, companies are the ones to likely own these properties, not individuals.
What? You pay property tax because local services schools, streets, police and fire fighters need to be funded. Having a property in the area is a pretty great proxy for using some of these services, hence the property tax.
There is no reason why tax has to be done as property tax. Property tax demeans actual ownership of a place for us to live. (And why the hell do corporations get away with no tax on intellectual property, or even pay on profits, whereas we humans pay on revenue and property?)
Worse yet, property taxes also enshrine the idea that the community's schools in poor areas deserve poor education. Do children in poor areas deserve poor education? Cause that's how you end up with "great and slum schools".
And the police in my area? Its sheriffs. And meh. I dont want them to keep getting military playthings.
Street? That's what gas tax and EV tax is for. And those built in with gas tax funds per gallon, aka use tax. Or vehicle registration tax.
Fire fighters? We have volunteer fire fighters.
I'm seeing a whole lot of tax and tax and tax, and shit for return on this forced investment. And property tax HAS had people end up homeless. 1 family homeless due to property tax is 1 too many.
> They said that Cox had ignored bad actors, helping 60,000 users distribute more than 10,000 copyrighted songs for free
This is such a tiny number for a company which provides internet to over 6 million homes. I was expecting it to be in millions or at least hundreds of thousands.
So... does that mean we don't have to care about takedown notices anymore?
Like, the only reason to comply with such an onerous and censorious takedown regime was specifically to disclaim contributory copyright liability that SCOTUS just unanimously decided to erase. Is it such that as long as people aren't stupid and don't market their services as an infringement facilitator, which most don't, that they don't have to honor 512 takedown notices now? Conversely, services dumb enough to actually market themselves as infringement tools probably can't get rid of their liability by the 512 safe harbor. So there's no reason to actually honor a DMCA takedown request anymore.
ISPs still need to comply with the DMCA. In their decision the court did weigh the fact that "Cox repeatedly discouraged
copyright infringement by sending warnings, suspending
services, and terminating accounts." so I would expect that processing DMCA notices and even repeat offender terminations will continue to be a part of an ISP's enforcement policy.
That said, I think there's a reasonable argument to be made that a customer should only be terminated as a last step and only after the ISP has been made aware that their customer is actually a repeat offender. Getting a large number of unproven accusations should not be enough.
Actually, it looks like there is something in the law that only provides DMCA safe harbor to providers that have a policy of terminating accounts of repeat infringers. I'm still not sure if an ISP would even need that safe harbor though.
This was what GFiber appeared to be doing until it sold out to private equity. I got about 60 DMCA notice emails about torrents that never reached seeding state. About 25% of them were false accusations with wrong titles unrelated to activity by anyone on my network.
A tiny victory. Copyright should not be more than a decade. This intellectual property system is one of the worst things to happen in modern society is what I would have said a few years ago, now I got bigger problems but I'm still mad.
I agree with you that 10 years is more than enough time for corporations to turn a healthy profit on something (not that they can't continue to make money off of a work after it has entered the public domain), but this wasn't a small victory.
If every ISP were at risk of being on the hook for endless billions in damages because of what their users did it would mean that ISPs would be forced to give in to the RIAA/MPAs demands to permanently terminate the accounts of internet users over completely unproven (and often inaccurate) accusations of piracy. It's worth noting that cox was actually already doing this in a limited number of circumstances, and the media industry still wasn't satisfied.
The media industry insisted that they needed the power to get people's accounts terminated even though it would have left many people, including fully innocent ones, cut off from the internet entirely. This was a big deal, and I'm honestly surprised to see this supreme court do the right thing.
I'm not sure I agree that any single fixed term makes sense. Rather, I think it'd be better if the exponential cost to society (in terms of works that don't happen, and works that don't happen based on those works that didn't happen and so on compounding) was just part of the yearly renewal price. Do maybe everyone gets 7 years flat to start with, then it costs $100*1.3^(year). So after another 25 years it'd be around $70.5k renewal. At 50 years it'd be $50 million. At 75 years it'd be $35 billion. Fixed amount and exponential can of course be shifted around here but the idea would be to encourage creators to use works hard and if they couldn't make it work not sit on them but release them. Once in awhile something would be such a big hit it'd be worth keeping a long time, and that's ok, but society gets its due too. And most works would be allowed to lapse as they stopped being worth it.
Another alternative/additional approach would be to split up the nature of copyright, vs an all or nothing total monopoly. Let there be 7-10 years of total copyright, then another 7-14 years where no exclusivity of where it's sold or DRM is allowed, then 7/14/21 years where royalties can still be had but licensing is mandatory at FRAND rates, then finally some period of "creditright" where the creator has no control or licensing, but if they wish can still require any derivative works to give them a spot in the credits.
I think there is a lot of unexplored territory for IP, and wish the conversations were less binary.
I think I like the idea, but I can't help wondering if it would have unforeseen consequences.
Could this approach undermine the protections afforded by open-source licenses? (IANAL.)
I think this is a great idea.
Free then make it cost more. A lot could enter the public domain, and valuable IP could be kept by companies as long as they’re willing to pay.
I think that's a horrible idea. There's zero benefit to society in letting corporations like Disney that can afford to pay keep works out of the public domain longer than others.
Disney are able to pay that amount because their IP is still generating massive income.
I'm not a fan of Disney at all, just pointing out what i belive might be the flaw in the argument.
> Disney are able to pay that amount because their IP is still generating massive income.
That's entirely irrelevant though. The point of copyright isn't to protect income. The point is to encourage the creation of new works. Disney doesn't need 100+ years of exclusive profits on something to encourage them to create new works. Nobody does.
I'd even argue that the more popular a work is the more important it is that it enter the public domain sooner rather than later. The less cultural relevancy something has when it enters the public domain the less likely it will inspire new works to be created.
Another thing that doesn't get brought up enough: Copyright is not really needed to encourage creation.
Suppose Copyright as a concept was overturned and no longer existed. Would Disney just say "Well, it was a great run, but we're going to close up shop and no longer create works." Would an independent artist who needs to paint something decide not to just because it couldn't be copyright?
"The creation of new works" doesn't need to be encouraged. It's the default. Cavemen still carved on cave walls without copyright.
You're absolutely right that artists can't stop themselves from creating, but I think that a reasonable amount of protection still does encourage more works.
Many works require a good deal of investment and time and if people had little to no chance of making money or breaking even on that investment a lot of works wouldn't get made.
Another nice aspect of copyright law is that it establishes where a work originated. Authorship gets lost in a lot of the things we treat as if they don't have copyrights. For example memes, or the way every MP3 of a parody song on P2P platforms ended up listing Weird Al as the artist regardless of his involvement. It also happens in cases where copyright really doesn't exist like with recipes and as a result we don't really know who first came up with many of the foods we love. A very limited copyright term would more firmly establish who we should thank for the things we enjoy.
If Disney had to pay the federal government a few billion each to keep absolute control over their oldest works, every year, no tax games, that would be pretty great for society. But it's also probably true that the tax games would indeed ensue. Something something low trust, we can't have nice things.
Both creative and intriguing ideas, I like it!
How about something like IP as a tax? IE: if you make profit off of it, then it cranks up. There's plenty of music artists who's song blow up a decade or more later.
I want to be super clear that I'm not proposing some finalized plan or numbers here, it'd need some real work spent hashing it all out. Mainly though I hope people will consider more the huge space of untapped approaches to balancing various benefits and costs towards a better societal outcome. And that maybe that helps a little in getting us out of some of the present seemingly intractable boxes we so often seem stuck in?
Your tax idea could certainly be another useful tool. My main immediate thought/caution would be:
>IE: if you make profit off of it, then it cranks up. There's plenty of music artists who's song blow up a decade or more later.
As we have endless examples of, "profit" and even "revenue" can be subject to a lot of manipulation/fudging given the right incentives. I also think that part of the cost I describe is objective: whether it takes off right away or takes off after a decade, as long as it's under full copyright it's imposing a cost on society the whole time. Also other stuff like risk of it getting lost/destroyed. So I do think there needs to be some counter to that in the system, sitting on something, even if it makes no money, shouldn't be free.
But the graduated approach might help with this too, and again they could be mixed and matched. It could be 1001.3^n to keep full copyright, but only 501.2^n to maintain "licenseright", 25*1.15^n for "FRANDright", and free for the remaining period of "creditright". Or whatever, play around with numbers and consider different outcomes. But feels like there's room for improvement over the present state of affairs.
When old art gets a revival like that it's usually because the work is being reused (e.g. song used in an ad, Tv show, movie), something that costs time and money to license when done legally. How many artists lost their chances because navigating copyright is tedious and expensive?
The two biggest examples I can think of were because of a joke (Never Gonna Give You Up) and a glitch (Plastic Love).
That's how you end up with "Hollywood accounting" where movies that gross over 100M dollars still show as a "loss" for tax purposes via creative accounting methods.
At this stage I just want a coherent system. There is no way "individuals can have their accounts terminated for one song" and "AI companies can download a complete copy of everything, including pirated works, and roll it into models which can reproduce it exactly and sell it back to you" should be able to co-exist.
I'm not sure that's the correct approach. Why do you want to have free access to other people's books, movies, and songs in the first place? I have the feeling that's not the case, but what is it then?
In a world where copyright only lasts 10 years, what happens to the musician whose song from 20 years ago is used in a movie and becomes super popular? Do they get royalties or are there no royalties involved?
I want a system that doesn't syphon money to the corporations over the individual creator and the corporations can't tell me I can't use the song.
The reason copyright doesn't get fixed or removed is largely because the general public is worried more about other things and the big rightsholders continue their monthly payments—err, lobbying.
Though AI might change that. In the end, large corporations get what they want.
The general public also get sold on the rosy idea that copyright (and patents to a certain extent), protect the little guy, that thanks to this mechanism their work will not be stolen by opportunistic freeloaders. It also resonates with the "one day I will strike rich" mentality.
What they usually "forget" to tell you is that your IP is absolutely worthless if you don't have the resources to defend it in court, which in turns actually advantages freeloaders who either have relatively low costs to sue (patent trolls are basically an example of this) or enough money that they don't feel the pain if they lose.
The current system basically incentivizes suing over IP NOT creating it.
To add to the list of things that they "forget" to tell you, is that the real origin of copyright is fundamentally tied to censorship as well [1]
[1] https://en.wikipedia.org/wiki/History_of_copyright
Overall, IP seem to be a massive mistake.
Disagree on the decade. There are plenty of examples of great movies or other works that took longer than a decade to bring to the public. Those projects would have been completely non-viable if their content could have been stolen after creators put a decade into their development.
I think 25 or even 50 years is more defensible. But 100? Nah.
But the crushing problem today for many of us here is SOFTWARE PATENTS. These should never have been allowed in the first place; and until their scourge is abolished, everyone is at risk for having his work stolen with one.
Leave it in 2, like patents. Even 3 could be tolerated. But current standard is crap.
Why do you think others should have the right to something they didn’t create?
I think it should be for a lifetime of the original author and non-transferable. The system is already rigged very much against artists, it's amazing how many people still contribute to culture under the given conditions. I don't see any reason why someone who writes a Christmas song or a novel shouldn't have a possibility to get payments for their works until they die, for example. However, I have a lot of problems with the bizarre extensions that companies and heirs have gotten for work they haven't created on their own.
Why 10 years? Why not 9 years? 8 years? If one year doesn't make a difference then 1 year? How about 11?
If you made anything that was worth protecting you might feel differently.
The current term in the US is like life +70 years, or something.
While 10 is arbitrary, I like it because it is much closer to balancing incentive for creativity vs stifling creativity.
I make software and data. It’s worth protecting. But I think the harm from copyright protection has been greater than the benefit.
Framing it as people who want reasonable copyright as anti-creator is so not cool and avoids discussion.
can’t IP be sold to a company that is “alive” for as long as it’s financially viable.
I always wonder when copyright runs out for artist who sold their collections to companies.
> I always wonder when copyright runs out for artist who sold their collections to companies.
This question is straightforward to answer with a single web search, so if you "always wonder" try looking.
In this case it's the creator, not the owner.
What is "financially viable"? Just hoarding copyrighted materials and not distributing them in order to create artificial scarcity could meet that criteria.
> If you made anything that was worth protecting you might feel differently.
How do you know they didn't? Oh, because of the No True Scotsman of "no person who truly made something worth protecting can have this opinion".
As if none of us have released anything under an MIT license. Ridiculous.
Why do we send X person to prison for 5 years, and not 4 years, or 6 years? Clearly the only rational choices are life sentence or no prison time.
Or, why protect it for 70 years? Why not 69 years? Why not 68 years? etc. Such a useless argument in every way.
It was originally 14 years back in 1790 when publishing anything was expensive, distribution was difficult, and worldwide distribution was nearly impossible. Today you can publish works across the globe at close to the speed of light and at very little cost. 10 years seems pretty damn reasonable.
The purpose of copyright is to encourage the creation of new works and allowing people creative access to their own culture accomplishes that goal a whole lot better than protecting the profits of corporations for ~100 years.
Copyright is an artificial monopoly set in place to guarantee that artists get a piece of the cake from distributors. The duration of this monopoly is completely arbitrary, and ideally it should be "long enough to make art creation a viable trade".
ideally it should be "long enough to make art creation a viable trade"
And, IMO, 10 years is in the ballpark for that to be true. That's ~5 major pieces of art as a minimum for a popular artist to have a career (assuming their 20s through 60s) [assuming each protected piece can sustain them for a decade].
I'd expect most people in this forum have made something "worth protecting" or even make a living doing so. Certainly it's been my career. I still think we should drastically shorten copyrights and expect more to grant it. e.g. for software, require source escrow to the copyright office and probably require source availability to purchasers, and ban things like hardware that only runs signed software. Basically the law should be GPL without redistribution, but where you could hire a programmer to fix things for you and maybe share your diff. Or just straight GPL (i.e. software should not be eligible for copyright as it's a functional thing, not a creative thing, and consumer protection law should make it mandatory to provide source and a way to load your own version for any device that has it). For other works, registration fees should cover storage of a master copy until expiration + N years so it can be released to the public. Maybe "source material" there as well wherever it makes sense. I understand that might make my career less lucrative. That's fine.
Whoever drafts the law has to arbitrarily choose a number, or there will be no end of litigation to settle it, and a judge will arbitrarily choose a number. OP's opinion is "not more than 10" so 9, 8 and 1 would all be fine with them, while 11 would be too long. Source: reading. Meanwhile you haven't even made clear where you stand on the issue or what point you're making or in what way "differently" OP is supposed to feel.
I think I've made plenty and I don't feel differently.
You could ask the same questions about the actual duration of copyrights as they are today. You present those rhetorical questions as if they were some argument against this proposal, but they're just things you need to think about regardless of what scheme you come up with: why this, and why not something else? It's not like "life of the author plus 70 years, or 95 years from first publication, or 120 years from creation" is any less arbitrary.
We should remember that the purpose of intellectual property laws in the US is explicitly, per the US Constitution, "To promote the Progress of Science and useful Arts...." The purpose is not to ensure that creators can keep collecting money decades after they created their works. It may be useful to ensure that as a way to promote progress, but it's just a tool, not the goal. If progress is better promoted with a 10-minute copyright term then we should do that instead.
> If you made anything that was worth protecting you might feel differently.
Please don't put those of us who create so-called 'intellectual property' for a living in the middle of this.
We didn't ask for government protection and we don't want it.
https://pickipedia.xyz/wiki/DRM-free
https://www.youtube.com/watch?v=rLbqgG6o1n8
Because it sounds like a nice round reasonable number. Like many others in the law.
Now stop being a clown.
> now I got bigger problems but I'm still mad.
I'm not so sure they're unrelated.
The bondage of intellectual property forces very particular branches of human development to the exclusion of others. It's no surprise that restriction of thought and creativity - and most of all, music - is to be found alongside war and predation and uninspired leadership.
IANAL but it seems to have major implications beyond music piracy, like into the realm of ISPs and free speech in general, it seems the court (rightly) sees ISPs as a common carrier (like water pipes) and we may see more opinions of the kind that reach into the space of monopolies or duopolies in social media next.
Big tech should loose its safe harbor protection. It’s both an aggregator AND a curator. The algorithms showing you what to see is no different than a newspaper editor. Just like newspapers big tech should be liable for their “feeds” showing harmful and defamatory information
I don’t see how it would ever make sense to hold social media liable for user posted defamation.
Look at the recent Afroman defamation lawsuit and consider how YouTube is supposed to know whether that music video was defamatory or not. It took a court 3 years to reach a conclusion but you want YouTube to make that same call instantly, on millions of posts a day. What you’d get is a world where Afroman’s (non defamatory) speech basically cannot be shared on social media at all.
I think the difference should be whether they are a dumb pipe, or whether they exercise editorial control and/or promote some content over others.
If you are truly a dumb pipe, that just transmits whatever the users post, then you shouldn't be liable for what goes over your wires. Like the phone company.
As soon as you start acting as an editor: amplifying some content and downplaying (or removing) other content, re-ordering it, ranking it, and so on, then you are placing your name on the content and in a sense should share liability around it.
Companies should have to deliberately decide who they are going to be: are they just wires like the phone company, or are they a newspaper's letters-to-the-editor department? They shouldn't be able to act like one, but have the liability of the other.
I would be happy if congress passed a law saying a social media has no liability for anything their users post as long as the algorithm is completely open source. If we had social media like that, they'd even have APIs that let users design their own algorithm and we'd see a golden age of social media emerge from it. Twitter seems to moving in this direction but they enjoy no legal protections from being open at the moment. Blusky is already this way I believe, but without a neutral and trusted centralized control it's a bit different of an animal.
https://www.supremecourt.gov/opinions/25pdf/24-171_bq7d.pdf
> Holding Cox liable merely for failing to terminate Internet service to infringing accounts
Imagine giving the power to rightsholders to terminate anyone's internet service with e.g, a DMCA takedown. I'm sure that won't be abused at all, and is a very necessary step to protecting "artists"
It's really surprising to see a 9-0 ruling written by Clarence Thomas which puts basic human rights (internet access) above civil liability.
9-0 rulings happen all the time. I couldn't find an easy to consume list so I asked AI to provide the percentage and it said 65–75% of rulings in a term are 9-0.
I believe it's the second half of parent's comment that is doing the heavy lifting.
A 9-0 ruling written by Clarence Thomas which puts basic human rights (internet access) above civil liability - try asking a chatbot to find many of those.
I think around 50% are 9-0 and then 30% are either 7-2 or 8-1. The contentious cases are the remainder.
If it isn't on the net, it can't go through prism
https://archive.is/mEgaK
Now that is some first class irony.
The System working as intended per SCOTUS!
Sweet. Some copyright infringement to start things off.
Funnily enough the only time I ever got in trouble for torrenting anything was when Cox was my ISP circa 2009. I'd been torrenting some PSP game and my connection went down. When I called the helpline they explained what happened and said they'd restore access once I confirmed I'd deleted the downloaded file.
Rare good decision from SCOTUS.
It’s interesting to see how as soon as intellectual property theft starts to be critical for powerful interests the legal system magically gets more lenient about copyright enforcement.
The balance between public good and protecting IP ownership of the creatives (which is, paradoxically, also part of the public good) has to be struck and enforced consistently.
It's interesting to see how people look for powerful interests to explain simple and correct supreme court decisions.
How is IP “theft” more important now than 20 years ago?
AI training
AI training might be copyright infringement. But there’s no cases or laws to establish that.
I don’t think this case or anything else has been affected by AI training on copyrighted material, if it is deemed infringing.
It's been demonstrated that some companies, even F10 ones, have been using pirated content to train their AI.
https://arstechnica.com/tech-policy/2025/02/meta-torrented-o...
They all seem to be using pirated books. Probably slightly better than just web stuff as it is presumably edited.
The authors case was thrown out on narrow reasoning. But companies now live by different rules so I suspect they won’t be held to account. Even Disney/nintendo are unlikely to stop this…
https://www.pbs.org/newshour/arts/judge-tosses-authors-ai-tr...
What?
Anthropic ($1.5B+ Settlement): In September 2025, Anthropic agreed to pay at least $1.5 billion to settle a class-action lawsuit over using roughly 500,000 copyrighted books from "shadow libraries" to train their Claude LLMs.
Isn’t this decision in exact opposition to the point you’re trying to make?
9-0 against the record labels. This effectively ends a long running strategy of trying to milk ISPs for people torrenting without a VPN. At the same time it likely puts things like the *Arr stack at more risk given their more tailored nature.
> 9-0 against the record labels.
Love to see it. I'm still mad about the Sony rootkit[0] and the people sued for absurd amounts over downloading a few MP3s back in the 00's.
[0]: https://en.wikipedia.org/wiki/Sony_BMG_copy_protection_rootk...
Ironically Sony wanted those artists online for streaming, and in those days the only way labels had to transport the music to distribution services was sending the CDs. So the CDs landed on my desk because they'd been rejected by the data ingestion teams. I had some more[0] stern words with a very apologetic man from Sony that day.
[0] they were constantly sending CDs that were fucked-up in totally new ways every time
I still haven't bought a Sony labelled product since... though I may or may not have consumed Sony content. They've definitely lost more than they gained.
I too have never bought anything from Sony since then. Or any DRM at all, in fact.
> They've definitely lost more than they gained.
That's a pretty good sized ego you got yourself there. The number of people that cared about the rootkit in the general populace was insignificant to Sony. Only tech nerds like us even knew about the rootkit or how insane it was to use. Unless you were a huge flagship purchaser of Sony's latest/greatest each year, they don't even notice you when you buy a TV or any other item.
People barely remember the studio getting hacked and releasing a film
> Lost more than they gained (from me, implied).
Maybe, just maybe assume the best in people instead of jumping to the worst interpretations you can.
I still boycott Sony over this. Made me a PC gamer, too.
The media industry has already decided that it should be allowed to turn copyright enforcement into a revenue stream and I doubt they're going to stop their extortion racket now.
This ruling could mean that they'll increase their efforts targeting individuals with threatening letters demanding that they admit wrongdoing and settle for a few hundred to a couple thousand dollars at a time or else get sued in court and be forced to pay a lawyer tens of thousands to defend their innocence. It could mean they actually take more individuals to court instead of dropping the case every time they threaten somebody with enough money to hire a lawyer to defend them at trial.
The media industry is also pushing for more control in other ways as well like blank media style taxes which would let them rake in a steady stream of cash without needing to make make specific accusations. They also still want to be able to force ISPs to instantly blacklist any IPs they accuse of streaming copyrighted content. They've got this power in many countries already and innocent users have already been screwed over by it. They may decide to focus their efforts on getting this pushed through in the US now.
I doubt this ruling will lead to the kinds of broad copyright reforms we need, but it's long past time the courts started pushing back on the insane power grabs of the RIAA/MPA. No other industry could get away with demanding what they have.
A personal anecdote:
I had several roommates, and we each were responsible for a utility. I was responsible for internet, and Cox was our provider.
I received multiple e-mails from Cox about copyright infringement. I can't recall them, but I remember it being serious enough for me to tell people to stop.
Thinking back, I feel like Cox's position is right and fair; let users know they're being observed by copyright holders, and inform the user that they could be compelled to provide their identity to complainants.
But ultimately, the responsibility to "stop" the supposed infringement is on the holder, not Cox.
And a slapdown to the lower courts being reversed.
> At the same time it likely puts things like the *Arr stack at more risk given their more tailored nature.
Well, those would be in the same position now that they previously were I think.
I wonder what effect this will have on file sharing services like Megaupload?
In terms of legality Megaupload messed up by directly participating in copyright infringement. They paid people to upload copyrighted movies. Cox doesn't reward people for copyright infringement. The lawsuit against them argued they failed to take enough precautions (for example cutting off subscribers upon receiving an accusation from a third party) and that should make them liable.
In practice Megaupload is not an established company. Other consumer file storage services such as Dropbox, Google Drive, Microsoft OneDrive, Apple iCloud are trillion dollar companies with deep legal benches and lobbying muscle. YouTube seeded the service with pirated content and Google helped fight off a copyright lawsuit by finding evidence that one rights holder uploaded their own video and then claimed infringement.
Without the login wall: https://www.reuters.com/sustainability/boards-policy-regulat...
I have to pay property tax forever for a house I supposedly own. If I dont pay that, the government sues and takes my house. Basically I never actually own my house.
(Of course, we have "Evil Communist China" where there is no property tax, and people own their homes and can live there. Id argue they're more free than we are.)
But copyrights and patents and trademarks? There's no tax on those "properties". And gee, companies are the ones to likely own these properties, not individuals.
What? You pay property tax because local services schools, streets, police and fire fighters need to be funded. Having a property in the area is a pretty great proxy for using some of these services, hence the property tax.
I was expecting that as a response.
There is no reason why tax has to be done as property tax. Property tax demeans actual ownership of a place for us to live. (And why the hell do corporations get away with no tax on intellectual property, or even pay on profits, whereas we humans pay on revenue and property?)
Worse yet, property taxes also enshrine the idea that the community's schools in poor areas deserve poor education. Do children in poor areas deserve poor education? Cause that's how you end up with "great and slum schools".
And the police in my area? Its sheriffs. And meh. I dont want them to keep getting military playthings.
Street? That's what gas tax and EV tax is for. And those built in with gas tax funds per gallon, aka use tax. Or vehicle registration tax.
Fire fighters? We have volunteer fire fighters.
I'm seeing a whole lot of tax and tax and tax, and shit for return on this forced investment. And property tax HAS had people end up homeless. 1 family homeless due to property tax is 1 too many.
> They said that Cox had ignored bad actors, helping 60,000 users distribute more than 10,000 copyrighted songs for free
This is such a tiny number for a company which provides internet to over 6 million homes. I was expecting it to be in millions or at least hundreds of thousands.
So... does that mean we don't have to care about takedown notices anymore?
Like, the only reason to comply with such an onerous and censorious takedown regime was specifically to disclaim contributory copyright liability that SCOTUS just unanimously decided to erase. Is it such that as long as people aren't stupid and don't market their services as an infringement facilitator, which most don't, that they don't have to honor 512 takedown notices now? Conversely, services dumb enough to actually market themselves as infringement tools probably can't get rid of their liability by the 512 safe harbor. So there's no reason to actually honor a DMCA takedown request anymore.
ISPs still need to comply with the DMCA. In their decision the court did weigh the fact that "Cox repeatedly discouraged copyright infringement by sending warnings, suspending services, and terminating accounts." so I would expect that processing DMCA notices and even repeat offender terminations will continue to be a part of an ISP's enforcement policy.
That said, I think there's a reasonable argument to be made that a customer should only be terminated as a last step and only after the ISP has been made aware that their customer is actually a repeat offender. Getting a large number of unproven accusations should not be enough.
It seems like you would still have to remove the infringing content, but no need to disconnect or ban the user who shared it.
But if you’re a pure ISP and not hosting content on your own servers, then I guess, yeah DMCA doesn’t really apply to you?
Actually, it looks like there is something in the law that only provides DMCA safe harbor to providers that have a policy of terminating accounts of repeat infringers. I'm still not sure if an ISP would even need that safe harbor though.
This was what GFiber appeared to be doing until it sold out to private equity. I got about 60 DMCA notice emails about torrents that never reached seeding state. About 25% of them were false accusations with wrong titles unrelated to activity by anyone on my network.
This is about moving bits through the pipes and not the resources that those pipes are moving.